Video Content for Australian Business
Video editing, Meta ads, organic content and AI video production for Australian businesses. Send me what you already have, whatever state it's in, and I handle everything from there.
Who I've Worked With
What I Do
Send me what you already have and I'll handle it end to end, or I'll coach you through shooting it yourself. Different problems need different solutions, and not every one of them is AI.
Long-form, short-form, and everything in between. Pacing, colour, sound and story handled from one brief, with motion graphics and animated captions available on any job that calls for them.
Ad creative built hook-first for the feed, with the script and creative direction handled by me, not just the cut. Multiple hook variations off a single shoot so you can test properly, AI avatars and UGC-style content if you don't have anyone to film. I don't run the ad campaigns myself, but I can put you in touch with someone who does if you need that side managed too.
Long-form and short-form for your own channels: podcasts, vlogs, YouTube, Reels, TikTok. Batch work is available too, a single shoot cut into weeks of short-form content if that's what you're after.
For bigger productions that need someone behind the camera, I can arrange a film crew through my network for jobs based in Geelong, stills and video captured together in the one session.
Most businesses can't justify a full production crew or a shoot day for every piece of content, and AI closes that gap. It's not about a big-budget, Hollywood-style ad, it's about realistic, low-budget-looking content that reads as shot on an iPhone and fits straight into a social feed, genuine-feeling UGC and testimonial-style videos without needing an actual person on camera.
It costs more than a straightforward edit, but a lot less than a real shoot, which makes it the right call when you need content and the budget doesn't stretch to filming.
I'll coach you through shooting your own content: camera settings and terminology, how to perform on camera so it sounds natural and looks good, lighting, and fixing up your own script so it reads naturally instead of stiff. It's a skill you keep, and it makes everything you post better whether I'm involved or not.
Strategy and scripting sit here too, what to make, why it'll land, and how it's written before anyone starts filming.
Selected Portfolio
A showcase of my work: paid ads, brand content, product videos and more, organised by industry and format so you can filter straight to what's relevant.
About Me
I'm Chris. I've spent 12+ years telling stories on screen, starting out shooting and editing live music, festivals and nightclubs in Melbourne, Australia, and I've been running Videos By Chris ever since. I work with Australian businesses across service-based industries, app startups, real estate, events and ecommerce, handling everything from concept and strategy through video editing, Meta ads, organic content and AI video production.
I handle every kind of video a business needs, from full production to AI-generated content, and when you hire me, you deal with me directly, start to finish. No account manager in the middle, no agency markup on top, and no handing your project off to someone cheaper. I'll tell you up front if a brief isn't going to land rather than take the money and deliver something that doesn't.
I lean on AI as a production tool to move faster and keep pricing sensible, but the creative decisions, the eye and the craft are always mine.
Client Feedback
Real feedback from real clients, via Fiverr and direct message. Names and handles shown as given.
Pricing
Real pricing depends on what you actually need, so I scope it per job rather than publishing a menu. Here are the three shapes it usually takes.
One standalone video, whatever the format, scoped and priced before anything starts.
Multiple pieces of content delivered as one connected campaign, batched for a better rate.
For clients I'm already working with who want a steady stream of content rather than a one-off.
How It Works
Five stages, with your input built in at the two points that actually matter, so the final product is never a surprise.
Send me what you've got, or if you're starting with nothing, we jump on a call and talk through your ideas. Either way, I work out a real plan and a real price on that same call, not a quote that turns up days later.
I dig into your ICP, brand, socials and website, your brand kit if you've got one, and take a look at your competitors. From there I write the concept and the script, and nothing moves to production until you've signed off on it.
You review thisEditing, AI generation, motion graphics and AI voice, whatever the job needs, once the direction's locked in. If you're filming your own footage, this is where that comes together too.
You see a locked cut: real timing, music, shot selection and layout, not just a rough draft, and you tell me what needs adjusting before it's called finished.
You review thisDelivered with the revision round included in your scope, so you're never stuck with a product you're not happy with. Anything beyond that gets scoped and quoted as an add-on.
Turnaround depends on scope and how quickly you respond at the review stages. Retainer clients get priority, front of the queue, but every package still gets a fast, realistic timeline. I'll confirm a real timeline at Scope & Kickoff.
Anything outside the agreed scope, priority delivery, a full concept build on a Single Edit, gets quoted separately.
Tell me what you're trying to make. No pitch, just a straight answer on whether I can help and what it would cost.
Get In Touch
Phone photos, raw footage, a rough idea, an existing ad you want to beat. Whatever you've got is enough to start a conversation. I'll tell you what's realistic and what it costs before you commit to anything.
Four questions, takes about a minute. Or just email me if you'd rather.
Australian business, working with clients across Australia and internationally.